Plus, on May 2nd it will feature in Rich Pickings as part of a programme about “game structures in art and everyday life”. Double nice!
Then, between April 29th and May 5th, the film will be playing three times in the Brussels Short Film Festival as part of their International Competition. OK enough already!
Ka-boom! We’ve just finished prinicipal photography on my next short film Sons of Atom.
It’s been a long process from first draft to filming, and I’m really pleased with how it’s all going.
With child actors, period setting, shooting on RED, this really feels like a step-up for me as a filmmaker. And we’re sure to have a great film at the end of it!
Read more about the film here, and become a fan for further updates.
It’s an uber-cool digital/innovation event that I’m really proud to be a part of. The film is part of the New British Talent 10 programme which will be playing at the following times:
Wed 10 Nov | 16:00 | NFT3
Sat 13 Nov | 13:30 | NFT1
Sun 14 Nov | 20:30 | Studio
I’ll most likely be attending the Sunday showing but might go to the Saturday one as well. There’s loads of other cool things going on (see the programme) so it’d be great to see you there!
Tickets go on sale from the BFI for the general public on Oct 12th (or Oct 5th for sneaky BFI members).
The Internet Story premiere went very well – just a cast and crew shindig at Channel 4′s little screening room. And here’s a picture of me looking pleased/smug afterwards. Thanks to those that came!
The short now has an IMDb page and is currently attacking the festival circuit at home and abroad. I’ll let you what happens!
Open Cinema
I recently did a little bit of Production Design/Animation work for Open Cinema- who run cinemas for homeless and socially excluded people, as well as make cool short films on micro budgets. My work for their latest film Heroes and Villains was premiered at BAFTA and well-recieved. Watch out for the cardboard – that’s my bit!
Secret Sounds is the launch track for Screaming Maldini’snew EP. The video pretty much speaks for itself, but I hope you get an idea of the good fun we had while making this. I just loved scripting to such a cool, high-energy track (with a 5/4 time-signature even!), and the band were also a joy to work with.